In the New York Review of Books, Zadie Smith mourns the loss of proper seasons due to climate change. She says we are planting the seeds of our own destruction, and that we have a perverse attraction to apocalypse.

Sing an elegy for the washed away! For the cycles of life, for the saltwater marshes, the houses, the humans—whole islands of humans. Going, going, gone! But not quite yet. The apocalypse is always usefully cast into the future—unless you happen to live in Mauritius, or Jamaica, or the many other perilous spots. According to recent reports, “if emissions of global greenhouse gases remain unchanged,” things could begin to get truly serious around 2050, just in time for the seventh birthday party of my granddaughter. (The grandchildren of the future are frequently evoked in elegies of this kind.) Sometimes the global, repetitive nature of this elegy is so exhaustively sad—and so divorced from any attempts at meaningful action—that you can’t fail to detect in the elegists a fatalist liberal consciousness that has, when you get right down to it, as much of a perverse desire for the apocalypse as the evangelicals we supposedly scorn.